In 1964, whereas on a brief journey to Paris, the American author and art-lover James Lord (Armie Hammer) is requested by his buddy, the world-renowned artist Alberto Giacometti (Geoffrey Rush), to take a seat for a portrait. The method, Giacometti assures Lord, will take only some days. Flattered and intrigued, Lord agrees. So begins not solely the story of an offbeat friendship, however, seen by means of the eyes of Lord, an perception into the wonder, frustration, profundity and, at occasions, downright chaos of the creative course of. FINAL PORTRAIT is a portrait of a genius, and of a friendship between two males who’re totally totally different, but more and more bonded by means of a single, ever-evolving act of creativity. It’s a movie which shines a lightweight on the creative course of itself, by turns exhilarating, exasperating and bewildering, questioning whether or not the present of an ideal artist is a blessing or a curse.